The reason behind this attempt at cross-fertilisation is that, if one reads Deleuze's book on Kant together with that on the time-image in cinema, the parallel between Kant's revolutionary reconceptualisation of time (against the backdrop of the Aristotelian conception) and Deleuze's on the time-image in cinema (as opposed to the "movement-image") becomes apparent. In other words, what I do here is to transfer the notion of different time-crystals in cinema to different domains, namely those of human subjectivity and social history. paper takes Deleuze's concept of the "crystals of time" - which condenses, metaphorically, different possibilities of what he calls the "time-image" in cinema - as its point of departure, and does in reverse what Ian Buchanan does where he proposes that one can use the notion of "schizoanalysis" from Deleuze and Guattari's Anti-Oedipus for the exploration of cinema. Senior Research Fellow in Philosophy University of the Free State. Deleuze's "crystals of time", human subjectivity and social history
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